Movies by Carolee Schneemann

Marcel Duchamp: The Art of the Possible

Marcel Duchamp: The Art of the Possible

A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.

Meat Joy

Meat Joy

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances...

Maya Deren's Sink

Maya Deren's Sink

Maya Deren's Sink, a 30 minute experimental film, is an evocative tribute to the mother of avantgarde American film. The film calls forth the spirit of one who was larger than life as recounted by those who knew her. Teiji Ito's family, Carolee Schneemann and Judith Malvina, float through the homes recalling in tiny bits and pieces words of Deren's architectural and personal interior space. Clips from Maya Deren's films are projected back into the spaces where they were originally filmed appearing on the floorboard, furniture, and in the bow...

Up To and Including Her Limits

Up To and Including Her Limits

Up To and Including Her Limits extends the principles of Jackson Pollock's action painting. Schneemann is suspended from a rope harness, naked and drawing; her moving body becomes a measure of concentration, the sustained and variable movements of her extended drawing hand creates a dense web of strokes and marking. This video captures the concentration and raw intensity of Schneemann's presence and use of her own body. The piece was edited by Schneemann in 1984 from video footage of six performances: the Berkeley Museum, 1974; London Filmma...

No. 4

No. 4

This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.