Movies by Andrés Mejuto

Tío Vania

Tío Vania

Sartana Kills Them All

Sartana Kills Them All

A pair of outlaws are on the hunt for some loot they know is missing from a robbery. Outsmarting and killing anyone who tries to foil their plans.

Good Night, Mr. Monster

Good Night, Mr. Monster

Four kids get lost in the forest in the middle of a storm and go take refuge in an abandoned castle. There they will meet and face Dracula, the Werewolf, Quasimodo and Doctor Frankenstein. Despite the attempts of the monsters to scare them and, in passing, recover their lost prestige, the children, with the help of Count Dracula's son, will face the evil creatures.

A Nun at the Crossroads

A Nun at the Crossroads

During an uprising in the Belgian Congo, a convent of nuns are besieged and the Reverend Mother is killed and Sister Maria is raped. Returning to Belgium, Sister Maria finds out to her horror that she is pregnant. Rejected by her family and her sister, she is told by the Vatican that she is supposed to either give the baby to the church and still be a nun or keep the baby and leave the order. This film follows her decision.

Days of Hope

Days of Hope

Spanish Civil War, 1937. A platoon of Republican soldiers plans to stop the advance of the rebel troops by bombing a bridge on the road to Zaragoza, near the city of Linás. With the close collaboration of the peasants of the area, the soldiers try to overcome the continuous bombardments and endure the harsh and tireless opposition of the powerful enemy…

Albéniz

Albéniz

Isaac Albéniz was a child prodigy, and the victim of a tyrannical father. He flees from his house, to America. He returns to his country years later, where he achieves international fame and the attention of many women.

The Phantom Lady

The Phantom Lady

The young widow of the viceroy of Peru, facing the dismal prospect of either a convent or a marriage of convenience, sets out to conquer a handsome officer, pretending she’s a duende, a ghost. Voted the best Argentine film of 1945, La dama duende is a beautifully crafted comedy of errors, based on the 17th-century play by Pedro Calderón de la Barca. The most ambitious production of Estudios San Miguel, it was brought to the screen mostly by Spaniards exiled in Argentina as a result of the Civil War.